As the only gay kid in Uranium, Noel Gruber wanted to escape his boring life. He longed for a more passionate, dramatic existence full of angst and suffering like characters he found in books and movies. He fantasizes that he is an opium addicted prostitute in post World War II France and makes the transformation on stage by donning a black wig, lingerie, fishnet stockings and heels. Thus dressed in drag with cigarette dangling from his fingers, the bluesy cabaret torch number he performs is hilarious.
Ocean O'Connor Rosenberg is the bossy overachiever who struggled to please both her Irish Catholic mother and Jewish father by becoming a champion debater. Her gospel song "Play to Win" describes the dirty depths she would sink to in order to be the best at all costs (You want to kick out the crutches from a cripple? ... As long as you are winning, who cares!) In a turning point of the song, the spirit of Karl Marx advises her that "When you're knocking on Heaven's door, it's only your soul alone that's keeping score".
Ricky Potts is the shy, geeky nerd who lives with his grandparents and a slew of cats. No one listens or pays much attention to him until he transforms into his alter-ego, the sleek, confident, inter-galactical ladies man who is the heroic leader of a planet of cat people. Dressed like Ziggy Stardust, his song techno rock song "Space-age Bachelor Man" is inspired by David Bowie's "Cat People". His previously whiny voice deepens as he growls "The fate of a galaxy before you ..Millions of lives in your hand .. I'm a swinging, space-aged bachelor man .. let's dance kitties"
While the previous stories were mostly played for laughs, the last two teens tell more poignant tales.
One of the children who died in the accident was decapitated and therefore unidentifiable. She is dubbed Jane Doe and takes over a doll's head as her own, while carrying around the doll's headless body. Because of this, her eyes are creepily cold, flat and pitch black and there are golden ringlets in her hair. Her haunting soprano aria laments not knowing her name or who she belongs to ("No one around to mourn or cry ... Just like a song nobody knows ... A forgotten name, some lost refrain.. Forever eternally Jane Doe"). The others are afraid of her but try to comfort her by throwing a birthday party (signifying her rebirth) to give her a sense of identity.
Finally Constance Blackwood is the chubby, likeable, happy-go-lucky girl with glasses who is constantly condescended to and overshadowed by Ocean. She is embarrassed of being the only one who is "content to live and die in Uranium" and wants to take risks and for her life to have meaning. In her monologue she reveals that she did accomplish something significant before she died and in her song she sings "There's nothing wrong with being the nicest girl in town - All that is clear, now that I'm here on my sugar cloud".
The final scene recreates the dreaded roller coaster accident using creative choreography and very few props.
We found this musical to be fresh and exciting with great songs and back stories that fully flesh out each character in a very short amount of time so that you really care for them all by the end.
In the past few years, we've realized that often we enjoy the smaller plays and musicals more than the big professional productions offered by Mirvish and Dancap. I hope this play returns for a longer run as I would really like to see it again. Or at least put out a CD so that I can add the music to my collection.
No comments:
Post a Comment